Norman Kelley mounted multiple pieces of demolished or renovated Chicagoan buildings onto square grey panels measuring eight feet by eight feet (2.4 metres by 2.4 metres) with stainless steel, mirrored trim in the museum’s Henry Crown Gallery.
The exhibition includes approximately 27 architectural fragments and three lightboxes.
The pieces displayed are sourced from local, architecturally significant buildings in order to illustrate and preserve Chicago’s built history.
“Architectural fragments are part of a material history that speaks to past building practices, changing neighbourhoods, and evolving ways of life,” said the studio.
“Recuperated from demolished or renovated buildings, these pieces of facades or interiors help preserve the memory of architecturally or culturally significant structures long after their physical presence has been erased.”
Architectural elements such as sections of cornices, wall panels, an elevator grille and a column are displayed.
The fragments were mounted across the space from a large stained glass window that is a part of the same exhibit.
Also among the pieces are an ornate circular ventilator grille and entrance door from Frank Lloyd Wright’s four-storey Francis Apartments, built in 1895 and demolished in 1971.
Both fragments display Wright’s early use of organic forms, informed by his mentor Louis Sullivan.
A cast iron cornice section and spandrel panel from Sullivan’s Gage Building, one of his last to be commissioned in Chicago, are also included. Both feature plant shapes and organic, curving lines.
Lightbox installations include a geometric stained glass window from Frank Lloyd Wright’s Coonley Playhouse and the Tiffany Studios 1917 Hartwell Memorial Window that depicts a sprawling landscape of over 48 panels.
“While this installation represents many works by Chicago’s celebrated modern architects, other fragments come from buildings by lesser-known designers who were equally important in shaping spaces of activism, community, creativity and labor in our dynamic metropolis,” said the studio.
The fragments have been catalogued as part of the museum’s permanent collection.
Norman Kelley is based in Chicago and New Orleans and was founded by Thomas Kelley and Carrie Norman in 2012.
Elsewhere in Chicago, the studio recently completed an apartment renovation for a diverse collection of chairs and refreshed the lobby of a postmodern skyscraper.
The photography is by Nathan Keay.