The studio aimed to create a rich and engaging experience for guests, unfolding gradually as they move around the space.
This is achieved by breaking up Tin Tin’s floor plan with curved walls and built-in furnishings that combine to from various different seating nooks and zones.
“Sweeping arches, contoured ceilings and a juxtaposition amidst solid and voided structures dot the layout,” Renesa said.
“These conjure focal nodes and morphing vistas as one lets the eye take in the space, only to reveal that no two sights within the interior volume can be identical.”
The fluidity of the restaurant’s internal surfaces is accentuated by the mosaic tiles that are arranged into a rough grid pattern across its walls, floors and openings.
Renesa says Tin Tin’s “minimalist grotto-like feel” is a result of this homogenous materiality, which took a team of stonemasons and plasterers more than six months to complete.
The built-in elements are complemented by a range of custom-made furniture featuring similar curvilinear silhouettes and a matching colour palette.
The restaurant’s entrance flows into an open space containing a range of freestanding high tables and communal seating areas, offering an array of dining experiences.
Tin Tin also provides varying degrees of privacy, allowing it to be transformed from a fine dining space during the day to a lively lounge in the evening.
A large terrace featuring the same decor as the internal dining space provides additional seating in the daytime, while at night the tabletops and bar areas are illuminated by spotlights from above to create an intimate atmosphere.
Renesa was founded in 2006 and is led by architect Sanjay Arora and his son Sanchit.
Previous projects from the studio include an all-day cafe in New Delhi that juxtaposes terracotta and terrazzo surfaces, and a brick manufacturer’s showroom in the same city that is clad entirely in earthy-hued masonry.
The photography is by Niveditaa Gupta.